Bits of Fun, Images and Artwork

Word Cloud: Give Way to Night

Now that I’ve handed in copy edits, Give Way to Night is… pretty much done and dusted! The only thing left will be page proofs, and really all I can change there will be minor typos. This is, as you might imagine, simultaneously extremely gratifying and sort of terrifying. Letting go of a book can be a hard step for an author, because it requires a lot of faith in oneself. For a book I’ve been wrangling with as long as this one (thanks, Curse of Book Two), it’s especially difficult. But I have to remember: I have written the book I wanted to write. That has to be enough. Time to let it go and focus on the next one.

It being done, though, means it’s time for a new word cloud! I don’t think it’s wildly dissimilar from the last version, but there might be a few minor variations in which words are more prominent.

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Have any thoughts on this word cloud? Anything about it make you excited? Or scared? ;D Let me know!

Images and Artwork

Word Cloud — Aven Cycle Book Two, Revised

Word Art

I turned in a new draft of Aven Cycle Book Two to my editor last week! And, as is traditional, I made a word cloud for it. The five most-often-used words in this draft (apart from articles and pronouns and such) are: Latona, Sempronius, Vibia, magic, more.

I’m glad to have this draft turned in, and I’m eager to hear what my editor thinks. The changes in this draft feel solid. The sequence of events is better paced, and the ending is a lot more emotionally-driven. It still needs some work, to be sure, but it feels like now that work can be polishing and smoothing, not full-on chiseling.

General, Images and Artwork

Cover Reveal for FROM UNSEEN FIRE

It’s here, it’s here!

At long, long last, I can reveal the cover for From Unseen Fire:

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Isn’t it gorgeous? I’m totally in love with it. Thanks to artist Tran Nguyen, who really nailed a fantastic look, and to the whole team at DAW for getting this put together.

And, thanks to Unbound Worlds for hosting the reveal! I did a Q&A with them that gave me a chance to talk about some really exciting things, so head on over there to read it!

Bits of Fun, Images and Artwork

Visualizing FROM UNSEEN FIRE

Tonight’s #17Scribes Twitter chat (and yes, I’m still part of that group even though my debut got moved two days into 2018 — they refused to part with me!) was focused on visualizing elements of our novels. I put together some image sets, and I thought I’d share them with y’all!

First off, how I picture lovely Latona: blonde and angular, a deceptive blend of delicacy and strength:

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Then… not really how I picture Sempronius. He’s not supposed to be ridiculously handsome! But I keep finding all these gorgeous actors who would be great at playing him…

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And the supporting cast. From left to right, the faces I imagine as resembling Gaius Vitellius, Ama Rubellia, Autronius Felix, Merula, and Vatinius Obir.

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Some pictures of Rome, the city of which Aven is my AU:

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And some of central Iberia, where about a third of the book takes place:

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And finally, how I imagine the interior of the Vitellian domus. Wouldn’t you love to recline on those pillows and share a good gossip… or a flirtation?

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Images and Artwork, Research

The Charms of Cartography

I love maps. I don’t know why, but cartography fascinates me. I find maps so beautiful. I particularly love historical maps — either maps that are, themselves, old, or just maps of earlier versions of our world. I’ve got a delightful book of maps of the Middle Ages, which shows changes to all of the inhabited continents from the 7th through 15th centuries. This year, I’ve even got a calendar of historical maps (June’s feature is a 1647 map of Iceland). The Game of Thrones opening credits utterly delight me. My favorite part of playing Civilization is typically exploring the map, figuring out where all the other civs are, locating the resources, and figuring out the best trade routes. In the fifth grade, when we were instructed to invent a state and make a map of it, I got marked down a few points for going utterly overboard and filling in damn near every available space on the poor little salt-dough construction with some item of interest.

I mention all of this because, when you’re writing a fantasy historical epic, having maps is rather crucial to keeping one’s head in place and places in one’s head.

I was bemoaning to my gentleman the difficulty in finding a decent map of late Republic Rome that I could mark up for my own purposes. Pretty well everything available is from much later on — Hadrian-era, sometimes, but often even later, 4th century. It makes sense — the archaeology is more reliable from that period, since things got knocked down and built on top of each other. But, though my story is an AU, it’s an AU based on the mid-first-century BCE, so using a map from so many centuries later would be an awful lot for me to have to un-see and work around, to recover what the city would’ve been like before all those baths and basilicas and palaces that the emperors built.

So, my gentleman asked me if there were any maps close to what I did like, and yes — my favorites have always been those in Colleen McCullough’s Masters of Rome series. Those books are meticulously researched, and even though the maps have some question marks on them (This was the… Temple of Feronia? Or Juno Curitis? Pompey’s house was… probably here?), when it comes to the overall shape of the city, they’re wonderfully detailed. The books also include a map of the *whole* city, not just the famous bit around the Forum.

They’re also, y’know, only the size of a trade paperback page, so while a good reference, it’s not something I can really scribble on to add in the things I need. I want to keep track of who’s on which hill, how far between them, who can oversee the river from their house and who’s got a view of the aqueduct. I added or moved some temples, but — damn, where did I put them? I’d made my own map of the entire Mediterranean with the provinces , but the minutiae of the city itself was just too overwhelming a project to consider starting from scratch.

So, hearing this lament, what did my beau do? Scanned those pages in and had them printed up as full-size posters!

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I’m so thoroughly delighted and grateful that he went to the time and effort! Now I’ve got a Wall of Rome to draw my Aven all over! (It’s underneath the map of Roman Spain given to me by my BFF last Christmas). Twelve square feet of fun.

I won’t start marking it up properly til I’ve finished this round of revisions, but I’ve begun by plotting out the epicenter of the story:

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Bits of Fun, Images and Artwork

Word Cloud for the Current Draft

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Images and Artwork

New Draft, New Word Cloud

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Bits of Fun, Images and Artwork

The Cast of Aven: The Vitelliae

There’s a lovely Roman women dollmaker, and I like to play dress-up sometimes. Because I’m an adult. The male dollmaker isn’t quite as good, since it pretty well only works for military costume, not casual or senatorial, but since Gaius here is a tribune, it’ll do.  The lack of togate options did mean I had to leave out their father, though.

I had fun with these — I’ve actually done several variations for each of the girls, but let’s call these their “meet outfits”. Aula Prima is a little daring, Gaius is a well-funded military tribune, Latona favors elegant luxury, and little Alhena is rather more demure and restrained than her elder siblings. And I like how I can show the family resemblance — Alhena and Gaius share a severity of expression, Aula and Latona have the same eyes, Gaius and Latona are just slightly darker-complexioned than their siblings. Alhena’s hair should be a little more true red, Aula’s a little more copper than strawberry, but I worked with what I had available.

Aula Vitellia Prima
Aula Vitellia Prima
Gaius Vitellius Caranus
Gaius Vitellius Caranus
Aula Vitellia Secunda, called Latona
Aula Vitellia Secunda, called Latona
Aula Vitellia Tertia, called Alhena
Aula Vitellia Tertia, called Alhena

Forthcoming: More men and women of the city, including men of the army and a bevy of magically-inclined ladies.

Images and Artwork, Inspiration

Pinterest Inspiration Board for Aven

Aven Inspiration Board — Also a great way to catalog bits of research to keep in mind.

Bits of Fun, Images and Artwork

Word Clouds for ‘Aven’ Manuscript

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Draft #3

I love word clouds. There’s just something mesmerizing about them, and they can be so weirdly artistic, too. I got sort of addicted to them at work, actually, because we use them for various teaching purposes. I’ve done them for Aven three times now: once right after I finished the first draft, once after I’d done quite a lot of revisions, before I started querying, and now a third time, with the new round of additions and adjustments. It doesn’t change a lot — but I do like seeing what subtle shifts there are. Some characters come into greater prominence. Some ideas grow larger or smaller. Like I said: mesmerizing.

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Draft #2
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Draft #1