I was super-intrigued by the Slate article that’s getting passed around the internet, comparing the most-often used sentences and descriptive words in The Hunger Games, Twilight, and Harry Potter. Textual analysis is a big part of my day job — as my blog entries for the company will show — so I thoroughly enjoyed the comparative exploration of three authors.
Most people that I’ve seen have been more interested in the “most common sentences” chart, and that one does reveal a lot — I think, more than anything, by way of illustrating the differences in first person present, first person past, and third person past styles. It doesn’t surprise me that all three demonstrate fairly simple sentences. You can tell an amazing story without needing to convolute every sentence, and the ones likely to repeat will undoubtedly be the simple ones. A more complex sentence would lose power in repetition. Rowling and Collins still exhibit far more variety in their simple sentences than Meyer does, however (read into that what you will), which makes the difference between Rowlings and Collins more interesting to me. Collins’s simple sentences are explanatory — the first person narrator has to introduce the reader to a lot of given details. Rowling, on the other hand, describes action, often emotionally inflected, to tell the reader what’s going on.
On the whole, though, I thought that the most distinctive adjectives list was more interesting — at least more telling, for what it says about each author and each story. Setting aside “drunk” (a descriptor for Haymitch used both in the narrative and in a lot of dialogue, from what I remember), the other adjectives in The Hunger Games are very action-oriented in a way that demonstrates Katniss’s blinkered focus on the task at hand. It represents her character well — she is not a big picture person. She is task-oriented. Meyer’s adjectives, on the other hand, illustrate pretty clearly what I find to be the disturbing emotional tenor of those books. And then JK’s are, like her sentence structure, more varied. Some are emotional, some sensory, some descriptive of “what’s going on” in the same way as her common sentences.
As y’all have already seen, I love creating word clouds, so my head naturally gravitates to this sort of analysis. I would love to have a program that would analyze my common sentences, not just individual words — or an automatic rhetoric scanner! That would, I’m sure, point out that I’m overly fond of zeugma and that I really might consider backing up off the tricolon. I wonder what adjectives I’m most prone to, what words I use that aren’t as common to other writers, where my grammatical constructions give me away. (See what I meant about the zeugma and tricolon? It’s a compulsion, really). As the Slate article points out, all writers have “tells” — personal tendencies that might also identify something particular about the story they’re telling. I’d be curious what an external analysis of my own patterns might reveal.